With a career of writing poems and fiction (her best known novel is "The Wife of Martin Guerre") from the 1920s to the 1990s, you'd think Lewis's work would vary more in quality, but she was quite good from the beginning to the end. She revisits many of the same themes over the decades: gardening, love, death, remembrance, solitude. I enjoyed seeing how her approach did or didn't change from her youth to old age. Here are some snippets.
From "Lines to a Kitten"
Morsel of suavity
Perched on my knee,
Furred silken beast, your golden eye
With its great crystal lens is bent
Upon a fly
Six feet away, and all your tiny life, intent,
Crouches and peers through the dark slitted vent.
From "Fossil, 1975"
Changed and not changed. Three million years.
This sunlight-summoned little fern
Closed in a cenotaph of silt
Lies in my hand, secret and safe.
In quiet dark transformed to stone,
Cell after cell to crystal grown,
the pattern stays, the substance gone.
Changed and not changed. Three million years.
From "For the Potter"
Remembered in bowls holding fruit,
The flare and curve of the clay, smoothed
To the color of jewels, or earth tones;
Remembered in plates, shadowed with leaves,
Eucalyptus, maple, fern, or the
Ancient ginkgo, holding the nourishment of a simple day;
Remembered, old friend, past your remembering,
When the chemistry of the brain had betrayed you
Into a long forgetfulness.